business

Kartik Aaryan makes a strategic move — bids adieu to Collective Artists Network, joins Dharma Cornerstone Agency

Kartik Aaryan has made a pivotal industry move-he’s officially parted ways with long-time manager team Collective Artists Network (CAN) and has inked a new charter with power-players Dharma Cornerstone Agency (DCA), founded by Karan Johar and Rajeev Masand, as per a report by Exchange4Media. This shift comes at a key moment, signalling a fresh beginning as the actor gears up for an ambitious 2026 slate. The transition follows the much-publicised fallout at the International Film Festival of India (IFFI) in Goa last year. Back then, Kartik’s session to promote his film was abruptly cancelled after his former team’s reported list of demands-10 extra tickets, two luxury suites, additional five-star accommodations-clashed with festival organisers. This sparked industry chatter about the role of management in star reputations. Now, aligning with DCA-an agency boasting over 200 talents across film, music and digital-is a strategic upgrade. The roster includes heavyweights like Janhvi Kapoor, Tiger Shroff, Sara Ali Khan, Ananya Panday and more in the Bollywood arena; beyond that, the agency represents music artistes and digital creators too. For Kartik, this means fresh access to premium brand deals, multi-platform ventures, and an enhanced image engine. Interestingly, this move also signals a reconciliation with the “Dharma circle.” Though earlier whispers suggested friction between Aaryan and Karan Johar-at one point the actor missed out on a major Johar-backed casting-this new partnership signals a fresh chapter and perhaps a reset of alliances. What does this mean for the future? A lot. Kartik’s 2026 line-up already looks punchy: Tu Meri Main Tera Main Tera Tu Meri with Ananya Panday, the supernatural thriller Naagzilla (slated August 14, 2026) alongside the much-anticipated romantic film with Anurag Basu, which also stars Sreeleela. With DCA’s machinery in place, he’s now geared not just for box-office punch but also for image elevation, endorsements, digital footprint expansion-and perhaps the move into the league of A-list superstars. Also Read: Pratibha Ranta not a part of Kartik Aaryan’s Naagzilla; confirms source.

business crypto Finance

$MOBU Crypto vs LTC, SOL

The post OBU Crypto vs LTC, SOL appeared com. Crypto Presales OBU crypto, LTC, and SOL are heating up in 2025. Join the OBU crypto presale, the best altcoin to buy now before prices moon! Ever wondered which project could become the next big altcoin that shakes up the market? The crypto jungle is brimming with contenders, yet only a few stand out as the best altcoin to buy now. While long-time giants like Litecoin and Solana are keeping traders engaged, a new challenger, OBU crypto, is turning heads for all the right reasons. With its OBU crypto presale now in stage 6, investors are eyeing the project’s 7, 244% ROI potential. Its blend of meme energy, real-world utility, and first-come, first-served presale structure is creating strong FOMO across crypto circles. For anyone who missed the early Dogecoin or PEPE rallies, OBU might just be that second shot at a moonshot. OBU Crypto: The Best Altcoin to Buy Now Is Breaking Stereotypes OBU crypto has taken the meme coin model and flipped it on its head, making it the best altcoin to buy now, proving that fun and functionality can coexist. It’s more than hype, it’s a revolution in utility. Currently priced at $0. 00008388 in Stage 6, early investors have already seen an ROI potential of over 235. 52% from the earliest rounds. Once listed at $0. 00616, that translates into a jaw-dropping 7, 244% potential return. Picture this: a $100 investment today could turn into over $7,343. 82 at listing. With over 1, 900 token holders and a presale tally topping $550K, the OBU presale is becoming one of the hottest crypto stories of 2025. The presale is first-come, first-served, which means once Stage 6 ends, the entry price surges by another 27. 40%. Investors grabbing their bags now might be riding the bull while others are still watching from the fence. What sets OBU.

business Entertainment law

Amol Palekar’s decade-long battle for artistic freedom nears closure as Bombay HC sets final hearing on December 5, 2025

After nearly a decade of pending legal proceedings, the Bombay High Court will finally hear actor-director Amol Palekar’s long-standing petition challenging the mandatory pre-censorship of stage plays and performances. The petition is slated for final hearing on December 5 before a bench comprising Justices Riyaz Chagla and Farhan Dubash. Palekar, now 80 years old, seeks protection of artistic freedom, arguing against the existing requirement under the Bombay Police Act that imposes prior scrutiny of scripts and mandatory certification from the Maharashtra State Performance Scrutiny Board before any play or public performance can be staged. His counsel, Anil Anturkar, told the court, “The petitioner is 85 years old now and wants an outcome, be it positive or negative.” Anturkar emphasized the importance of artistic freedom in the contemporary digital era, pointing out that “there is no censorship of shows and series on OTT platforms,” questioning the logic of continuing the mandatory censorship regime for live performances. The petition specifically contests rules framed under Section 33(1)(wa) of the Bombay Police Act, which authorize police commissioners or superintendents to regulate “places of public amusement” and performances, including traditional tamashas and melas, requiring script scrutiny to safeguard “public order, decency, or morality.”Amol Palekar’s petition argues that such pre-censorship amounts to an unconstitutional curtailment of artistic freedom, stating, “This pre-censorship leads to curtailment of artistic freedom. Because of this, many historic plays have not been performed in their original form.”The Bombay High Court had admitted the plea in 2017 but long delayed its hearing on the merits. The upcoming session on December 5 is expected to bring closure to this critical issue affecting artists and cultural institutions. This case is being closely watched across the theatre community and arts organizations, as a ruling in favor of Palekar could pave the way for greater freedom and creativity in live stage performances in Maharashtra and potentially across India. Also Read: EXCLUSIVE: Shekhar Suman reveals that his film with Parineeti Chopra, Adil Hussain, Amol Palekar titled Reporting Live; Shekhar also states, “If Utsav is remade, Adhyayan should be cast for my role”.

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