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Sonakshi Sinha SHUTS DOWN pregnancy rumours with witty post, shares laugh-filled moment with Zaheer Iqbal: “World record holder for…”

After days of social media speculation surrounding her pregnancy, actress Sonakshi Sinha has finally broken her silence and in her signature witty style. The actress took to Instagram to address the ongoing rumours while sharing a series of photos from one of the Diwali parties she recently attended. In the photos, Sonakshi looked radiant in an elegant ivory ensemble, while her husband Zaheer Iqbal complimented her in a navy-blue outfit. The final slide captured the couple laughing heartily a fitting response to the chatter surrounding them. Putting an end to the rumours, Sonakshi wrote in her caption, “World record holder for longest pregnancy in human history (16 months and counting according to our lovely and hyper intelligent media) simply for posing with hand around midsection. Scroll to last slide for our reaction. and then continue to dazzle this Diwali.” View this post on Instagram A post shared by Sonakshi Sinha (@aslisona) Her playful tone instantly struck a chord with fans. One Instagram user commented, “Always glowing, which is why is it SO CONFUSING,” while social media influencer Kusha Kapila dropped laughing emojis in support. For the unversed, Sonakshi Sinha and Zaheer Iqbal tied the knot on June 23, 2024, after dating for seven years. Professionally, Sonakshi is gearing up for her next big-screen outing, Jathadhara. The film’s trailer is set to be unveiled by superstar Mahesh Babu today, October 17, following the release of its motion poster earlier this week. Jathadhara will hit cinemas on November 7, 2025, in both Hindi and Telugu. Also Read: Mahesh Babu to launch Jatadhara trailer tomorrow; Sonakshi Sinha & Sudheer Babu shine in motion poster.

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LEAKED footage shows Pankaj Tripathi and Ali Fazal back in action for Mirzapur: The Film shoot; Anjumm Shharma joins shoot in Banaras

The world of Mirzapur is once again coming alive — this time on the big screen. After three blockbuster seasons on OTT, Excel Entertainment’s crime thriller franchise is expanding into cinema with Mirzapur: The Film, presented by Amazon MGM Studios and Excel Entertainment.The team recently began shooting in Banaras, and joining the ensemble is Anjumm Shharma, fondly known to fans as Sharad Shukla — the “Last King of Mirzapur.” Announcing his return, the actor shared a glimpse from the set on social media, writing, “Sabhi sudhijan aur bandhu jo pooch rahe the ki bhaiya aap kab aayenge .. lijiye hum aa gaye… Banaras.”After a brief appearance in season one, Anjumm rose to prominence in the later seasons, becoming one of the key players in the power dynamics of Purvanchal. His return to the franchise has stirred curiosity among fans, especially after his character’s fate in the season three finale.Meanwhile, leaked on-set footage from Ramnagar Fort and the streets of Varanasi has sent the internet into a frenzy. The visuals feature Pankaj Tripathi as Kaleen Bhaiya and Ali Fazal as Guddu Pandit, reportedly filming one of the film’s climactic sequences. The sight of the two iconic rivals back in action has reignited excitement among fans who have followed their journey since 2018. 
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Created by Puneet Krishna and directed by Gurmmeet Singh, Mirzapur: The Film will see the return of franchise favourites — Kaleen Bhaiya (Pankaj Tripathi), Guddu Pandit (Ali Fazal), and Munna Tripathi (Divyenndu) — along with Abhishek Banerjee. Following its nationwide theatrical release, the film will stream exclusively on Prime Video in India and over 240 countries and territories, eight weeks after its release.Mirzapur: The Film is slated for release in 2026.Also Read: Richa Chadha flies to Benares to spend quality time with beau Ali Fazal on the sets of Mirzapur: The Film

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Homebound Box Office Collection: India’s Oscar 2026 Entry, Starring Ishaan Khatter & Vishal Jethwa, Earns ₹30 Lakh On Day 1

Homebound is expected to see growth over the weekend, with Saturday and Sunday showing slight upward trends. However, the commercial returns are unlikely to be substantial, given its arthouse positioning. While the numbers remain low, it is to be noted that Homebound wasn’t designed as a box office vehicle. Instead, the film’s true victory lies in its critical acclaim and international recognition