business Entertainment law

Amol Palekar’s decade-long battle for artistic freedom nears closure as Bombay HC sets final hearing on December 5, 2025

After nearly a decade of pending legal proceedings, the Bombay High Court will finally hear actor-director Amol Palekar’s long-standing petition challenging the mandatory pre-censorship of stage plays and performances. The petition is slated for final hearing on December 5 before a bench comprising Justices Riyaz Chagla and Farhan Dubash. Palekar, now 80 years old, seeks protection of artistic freedom, arguing against the existing requirement under the Bombay Police Act that imposes prior scrutiny of scripts and mandatory certification from the Maharashtra State Performance Scrutiny Board before any play or public performance can be staged. His counsel, Anil Anturkar, told the court, “The petitioner is 85 years old now and wants an outcome, be it positive or negative.” Anturkar emphasized the importance of artistic freedom in the contemporary digital era, pointing out that “there is no censorship of shows and series on OTT platforms,” questioning the logic of continuing the mandatory censorship regime for live performances. The petition specifically contests rules framed under Section 33(1)(wa) of the Bombay Police Act, which authorize police commissioners or superintendents to regulate “places of public amusement” and performances, including traditional tamashas and melas, requiring script scrutiny to safeguard “public order, decency, or morality.”Amol Palekar’s petition argues that such pre-censorship amounts to an unconstitutional curtailment of artistic freedom, stating, “This pre-censorship leads to curtailment of artistic freedom. Because of this, many historic plays have not been performed in their original form.”The Bombay High Court had admitted the plea in 2017 but long delayed its hearing on the merits. The upcoming session on December 5 is expected to bring closure to this critical issue affecting artists and cultural institutions. This case is being closely watched across the theatre community and arts organizations, as a ruling in favor of Palekar could pave the way for greater freedom and creativity in live stage performances in Maharashtra and potentially across India. Also Read: EXCLUSIVE: Shekhar Suman reveals that his film with Parineeti Chopra, Adil Hussain, Amol Palekar titled Reporting Live; Shekhar also states, “If Utsav is remade, Adhyayan should be cast for my role”.

business Education Finance

British Private Schools Chase Overseas Cash

More British private schools are setting up abroad in a bid to drive revenue, at a time when cost pressures at home are rising. Fee-paying schools in the UK educate just 7% of the population, but this cohort includes many political leaders, Nobel laureates and the upper echelons of society. Previously, families across the globe would have aspired to ship their children here for an elite education. Now, more options than ever are on their doorstep. The British-international school boom has been “recent and large,” according to the Private Education Policy Forum think-tank. Schools had 51 satellite campuses in 2017-18, which had trebled to 151 by 2024-25. Bloomberg Radio’s Tiwa Adebayo joined Joumanna Bercetche to discuss. (Source: Bloomberg)

business Entertainment film

Aryan Khan to work on his first theatrical release before directing Shah Rukh Khan in planned 2027 film: Report

Aryan Khan, who recently earned appreciation for his debut Netflix directorial The Ba***ds of Bollywood, is already moving ahead with his next set of projects. The series, which featured Lakshya, Raghav Juyal, Bobby Deol and an ensemble cast, marked Aryan’s official entry as a director and showcased his inclination towards bold storytelling. With the streaming debut now behind him, the filmmaker is preparing for a larger leap a theatrical feature. According to industry sources, Aryan’s next directorial will be a full-fledged film intended for a big-screen release. The young filmmaker is reportedly determined to establish himself in the theatrical space before stepping into what will arguably be the most anticipated collaboration of his career directing his father, superstar Shah Rukh Khan. A source quoted by Pinkvilla revealed that Aryan is taking a measured, merit-driven approach to his career choices. “Aryan wants to deliver a theatrical success and prove himself as a filmmaker before taking on the challenge of directing his superstar father, Shah Rukh Khan,” the insider shared. The intention, the source added, is to build credibility in the industry by letting the work speak for itself rather than relying on legacy or expectations. Plans for the father-son collaboration are very much in motion, though the film is not expected to take off immediately. “If all goes as planned, Aryan’s third directorial will feature SRK in the lead. The father-son duo has already locked the core idea, but the collaboration is expected to take shape only in 2027,” the source added. For now, Aryan is dedicating his attention to completing the script for his second feature film. The project is likely to enter the casting stage soon, with more details about the genre, ensemble, and production timeline expected to emerge in the coming months. With his debut project sparking conversations and his next two films already generating industry buzz, Aryan Khan appears to be pacing his journey with focus and strategic clarity. As anticipation builds for his theatrical debut and eventually, his directorial collaboration with Shah Rukh Khan all eyes are on the young filmmaker’s next move. Also Read: Sameer Wankhede calls The Ba***ds of Bollywood a “calculated hit job” aimed at settling personal scores: “Shah Rukh Khan, Aryan Khan can’t hide behind satire”.