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120 Bahadur to hold paid previews 3 DAYS before release; Excel Entertainment & Trigger Happy Studios announce historic nationwide screenings on Nov 18, 2025

In a bold move seldom seen in the Hindi film industry, the producers of 120 Bahadur Excel Entertainment and Trigger-Happy Studios are releasing select paid previews across India on Tuesday, 18 November 2025, a full three days in advance of its official theatrical release on 21 November 2025. The date isn’t arbitrary. The early screenings are timed to coincide with the 63rd anniversary of the Battle of Rezang La-one of the most heroic chapters in India’s military history and the film’s central inspiration-in 1962. With this bold step, 120 Bahadur now joins an exclusive club of Hindi films that have dared to offer audiences paid previews days ahead of release-a strategy that signals supreme confidence from the makers. According to the producers, the idea is two-fold-a tribute and a test. The early shows are designed as a homage to the brave soldiers of Rezang La, giving viewers an advance opportunity to experience the film’s emotional depth, large-scale action and patriotic intensity on a date steeped in significance. At the same time, it serves as a calculated gauge of audience sentiment, letting initial reactions organically build buzz in the lead-up to the wider national release. A source close to the production explains that this is not just a publicity call; it is an act of faith. They are confident that the emotion of the film would speak for itself, and paid previews on such an important date reinforce further the authenticity and respect with which 120 Bahadur has been made. With anticipation already building around the film’s ambitious scale and stirring narrative, this unprecedented preview strategy has only intensified industry curiosity. Whether or not the move proves to be a masterstroke, or a high-risk experiment will become clear as audiences line up for these special early screenings on November 18. Also Read: Raashii Khanna gives fans a peek into her 120 Bahadur BTS: “It truly takes a village, and I’m very grateful for mine”.

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Cardone Capital Combines Real-World Utility With Bitcoin Strategy

The post Cardone Capital Combines Real-World Utility With Bitcocom. Real estate investor Grant Cardone is expanding its multifamily housing fund strategy that pairs a traditional commercial property with Bitcoin allocations, offering a hybrid approach to real estate and digital asset exposure. The company recently launched its fifth commercial multifamily investment property, a 366-unit multifamily housing complex that was purchased for about $235 million, with $100 million in Bitcoin (BTC) added to the fund, Cardone told Cointelegraph. Real estate’s low volatility, tax benefits, income generation and stable value combined with the high volatility of Bitcoin gives the fund the best of both worlds, allowing it to funnel rental income into more BTC purchases, Cardone said. He added: “The goal is to take that vehicle public and turn it into shares. We believe the real estate and the bitcoin combined as a stock, trading as a public company, is like digital asset treasuries. But we have a real product, a real asset, real income, real tenants, real customers. We have free cash flow.” Projections for the 10x Boca Raton Bitcoin Fund. This combination could allow the incorporation of new strategies into real estate investment trusts (REITs), portfolios of physical properties listed on stock exchanges that provide investors with passive exposure to real estate. Related: Metaplanet’s Bitcoin gains fall 39% as October crash pressures corporate treasuries Crypto treasuries with no operating business pose structural vulnerabilities Most crypto treasury companies raise funds through issuing corporate debt and equity to finance purchases, but do not have an operating business that generates cash flow. “If the company’s just bitcoin, why am I investing in that company? Real estate is the best treasury company you can build because it’s not.

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Chainlink Leads RWA Developer Activity Amid Market Pullback

The post Chainlink Leads RWA Developer Activity Amid Market Pullback appeared com. COINOTAG recommends • Exchange signup 💹 Trade with pro tools Fast execution, robust charts, clean risk controls. 👉 Open account → COINOTAG recommends • Exchange signup 🚀 Smooth orders, clear control Advanced order types and market depth in one view. 👉 Create account → COINOTAG recommends • Exchange signup 📈 Clarity in volatile markets Plan entries & exits, manage positions with discipline. 👉 Sign up → COINOTAG recommends • Exchange signup ⚡ Speed, depth, reliability Execute confidently when timing matters. 👉 Open account → COINOTAG recommends • Exchange signup 🧭 A focused workflow for traders Alerts, watchlists, and a repeatable process. 👉 Get started → COINOTAG recommends • Exchange signup ✅ Data‑driven decisions Focus on process-not noise. 👉 Sign up → Chainlink leads RWA developer activity in 2025, with Santiment data showing a 35% higher GitHub output score than competitors like Hedera and Avalanche amid ongoing market pullbacks. Chainlink tops the list for real-world asset (RWA) development, scoring 366 on Santiment’s metrics. Hedera and Avalanche rank second and third, highlighting institutional blockchain focus. Top 10 includes Stellar, IOTA, and Axelar, with activity up 20% month-over-month per Santiment analytics. Discover how Chainlink dominates RWA developer activity in 2025 despite market volatility. Explore top networks and insights for institutional crypto adoption. Stay ahead-read now! What is Driving Chainlink’s Dominance in RWA Developer Activity? Chainlink’s dominance in RWA developer activity stems from its robust oracle network and interoperability solutions, attracting top talent for tokenization projects. Santiment’s latest GitHub analytics, released on November 14, 2025, reveal Chainlink scoring 366-over 35% above Hedera’s mark-amid a market pullback that saw LINK drop 4% to $14. 39. This surge underscores Chainlink’s pivotal role in bridging real-world assets with blockchain, fostering enterprise integrations without halting progress. COINOTAG recommends • Professional traders group 💎 Join a professional trading community Work.

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EXPLOSIVE: Kanu Behl on multiplexes denying shows to Agra: “We are NOT asking for 1000 screens; we are only asking for 100 good screens…has the rot set so deep that no one just cares anymore? Is it all about Rs. 1000 crores or Rs. 5000 crores?”

It’s common to hear about independent and niche films not getting the desired shows in cinemas nowadays. Some filmmakers are too apprehensive to raise their voice. But Kanu Behl decided not to take things lying down. On Thursday, November 13, he posted on his X (formerly Twitter) account that his film Agra has been denied shows due to so-called ‘big blockbusters’ and because the small films don’t fit into multiplex programming. On the morning of November 14, the day Agra released, he uploaded a screenshot of the number of shows secured by his film in Mumbai. His film was played in just 3 cinemas with 4 shows. Kanu’s caption for this picture was ‘slow claps’. After he raised his voice, many from the industry like Manoj Bajpayee, Saiyami Kher, Sudhir Mishra etc came out in support. On November 15, after Kanu’s relentless fight, Agra is now playing in 9 cinemas in Mumbai. But the battle is far from over. In the evening of November 14, Bollywood Hungama exclusively spoke to Kanu to further understand the issue. When asked when he realized that Agra is being denied shows, he said, “I was a part of this conversation in peripheral ways since I am the director. I didn’t know upfront. 2 weeks back, we got the initial list of about 100 screens, out of which 9 belonged to PVR Inox. It was quite less. I insisted that we need to start cracking better cinemas. But the process got delayed and we didn’t hear anything. On Thursday night, I was told that shows nahin mil raha hai as all the shows were given to the bigger films. I don’t want to take names; I am not against any film. What we heard eventually was that we were not getting the shows. That’s when I started talking about it.” Agra has been distributed by Mantra Luminosity. Did Kanu Behl try to reach out to the theatres directly? Kanu replied, “I didn’t have direct communication with them. I only heard through my team. Generally, what we heard is that ‘A film like Agra doesn’t fit into our programming’ and ‘There’s a bigger film out there and everybody is going out for it’. But my point is that we are a country of 5000-6000 screens. We are not asking for 1000 screens or even 500 screens. We are only asking for 100 good screens. Why can’t we get 100 good screens that are accessible and are at a convenient time so that people can sample the film? If they like it, then the word of mouth will spread. Hence, we are not making an exorbitant ask.”Did the social media posts of Kanu Behl help in any way? After all, the fact that it got 9 shows in Mumbai on Saturday was thanks to his tweets. Or else, the number of shows might have reduced further on Saturday. Kanu explained, “Yes, but even if you notice, there are no shows in big chains yet. We are now trying to add as many shows as possible. But this whole thing about the big chains having a monopoly is a real issue. It doesn’t concern only me or my film Agra. It is an issue of the independent filmmaking community at large.”Kanu Behl said that he would continue to make efforts to get justice, “We are going to keep fighting. It’s time to talk and start this conversation. This keeps happening again and again in every film. If you remember, even All We Imagine As Light suffered the same problem. The same thing happened to Homebound, maybe to a lesser extent, because Dharma was involved. But every time an independent film was released, whether Sabar Bonda or Jugnuma, this happens. Until now, everyone was talking individually. Now, all of us independent filmmakers are coming together, and we are going to raise our voices collectively.”A few netizens asked Kanu Behl on X to release Agra directly on OTT. Kanu told them that a mafia exists even in that space. When asked if the OTT rights have been sold, Kanu Behl replied, “The rights have not been sold. But my question is, why not theatres? Why should my film also go directly into the black hole called OTT? A film of this sort just gets dumped on a streaming platform without any promotion. Do people even know that those films exist? Has the decay of our culture gotten so bad and has the rot set so deep that no one just cares anymore? Is it all about Rs. 100 crores or Rs. 1000 crores or Rs. 5000 crores? When we are on our deathbed, will we remember the amount of money we earned or the quality of lives we lived and the people that matter to us? When will this shameless capitalist consumerist activity stop? When will we put an end to it?”Also Read: Kanu Behl urges audience to speak up as Agra struggles for shows amid ‘big blockbuster’ dominance.

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